“That same day Jesus went out of the house and sat by the lake. Such large crowds gathered around, him that he got into a boat and sat in it, while the people stood on the shore. Then he told them many things in parables, saying…” (Matthew 13:1-3; NIV, emphasis added). Jesus goes on to tell the crowds about a farmer sowing seed: The Parable of The Sower. He follows this up with other parables: The Weeds, The Mustard Seed, The Yeast, The Hidden Treasure, The Pearl, and The Net.
After telling The Parable of the Sower, the disciples came up to him and asked why he spoke to the crowds in parables (v. 10). Jesus’ answer is very telling:
“The knowledge of the secrets of the kingdom of heaven has been given to you, but not to them…This is why I speak to them in parables: ‘Though seeing, they do not see; though hearing, they do not hear or understand.’ In them is filled the prophecy of Isaiah: ‘You will be ever hearing but never understanding; you will be ever seeing, but never perceiving. For this people’s heart has become calloused; they hardly hear with their ears, and they have closed their eyes. Otherwise, they might see with their eyes, hear with their ears, understand with their hearts and turn, and I would heal them.’ (Matthew 13:11, 13-15; cf. Ezekiel 12:2; Isaiah 6:9-10; emphasis added).
Jesus tells the disciples that they are blessed because they do have eyes that see and ears that hear (v. 16).
A stark contrast to the crowds.
As storytellers in our modern society, it seems the pattern for writing fiction has been established for God’s people, and was done so by our Lord Himself. When we create a story, no matter what the setting, no matter who is involved, no matter the time period, the story should “reveal the kingdom” or explain what “the kingdom of God is like.”
Now, it doesn’t have to be allegorical. Every single name doesn’t have to have a double meaning or mystical root (See Pilgrim’s Progress for reference). Nor do your characters have to be fictionalized caricatures of real people in the Bible (e.g., The Lion in C. Lewis’ The Chronicles of Narnia series being Jesus; “Aslan” being the Turkish word for “Lion”). Even though these kinds of stories and techniques have their place, one size does not fit all. And neither does the story have to take on ALL the aspects of the world in order to have a real impact (e.g., profanity, etc.). Jesus managed to use tell parables, using worldly images like birds and flowers and gold and pearls and hate and greed and power and corruption without soiling the language itself.
Sometimes, however, your story may deal more with a theological truth/concept than a person, place, or Biblical passage. My first book, The Serpent’s Grasp, asks the question, “What is truth? In the world of science, can truth be found?” My second book, 30 Days Hath Revenge, begins to delve into the question of “What is true peace? In a world that cries out for peace like in the days of Jeremiah, can politics, military might, or economic clout bring about true peace, or is there something more to it?”
As a fiction writer, our job is to dive deep into these biblical passages and truths and bring forth a story the crowds can begin to understand. If Jesus only spoke to the crowds in parables, then shouldn’t that be our pattern, too (see Matthew 13:34)? We are the keys God uses to open up the doors of their hearts. After that, it’s the Holy Spirit’s job to break down the door and enter in.
If we write fiction solely for the Christian community, we’re missing out on so much.* Jesus explained the parables to the disciples only when they were dull in understanding. However, the parables were never intended for them. I liken it to our publishing world today. Fiction serves as the parables. That’s why “preachy fiction” never flies very well. Jesus never got preachy with his parables for good reason. Those hearing the stories needed the concepts to come down to their level of spiritual understanding.
In the same vein, non-fiction is for the disciples. This style tends to get into the nitty-gritty details of a spiritual truth. This is when Jesus explains things to us, has us stop, pause, reread a page, so our understanding can increase so we don’t have to keep stopping him and ask, “Can you explain that to us, please” (see Matthew 13:36)?
Does that mean a believer can’t enjoy a good fiction story? Of course not. Does that mean an unbeliever should never pick up a non-fiction book on some biblical passage or truth and read it? Please, say, “No!” You and I both know God can use anything to reach a person’s heart for the first time.
Apparently, though, the norm is as follows: The stories, the parables, the fiction is intended for those who “have eyes to see but do not see and ears to hear but do not hear, for they are a rebellious people” (Ezekiel 12:2).
And those were Jesus’ words. Not mine.
So, may our stories be for the lost as well.
Especially in this ever-darkening world.
*Could this be a reason why Christian fiction is falling on such hard times? Parables solely for Christians doesn’t follow Jesus’ model, does it?
To see this article on the Seriously Write website, click on the following link: "Parabolic Tales for the Ages."
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